He has been featured as Artist-in-Residence at the Metropolitan Museum of Art (New York), Wigmore Hall (London), the Molde Jazz Festival (Molde, Norway), and Jazz Middelheim (Antwerp, Belgium), and served as Music Director for the 2017 Ojai Music Festival in southern California. Current ecological thinking has adopted post-human theories, such as Object Oriented Ontology (which is also a major influence on Critical Organology) and chronocriticism. She pursued her PhD at the University of California San Diego, studying with Roger Reynolds (dissertation advisor) and Brian Ferneyhough. Rehding has been especially interested in reflections on very long timespans and extreme slowness. Lecturer on Music / Resident Dean, Dunster House Landon Morrison is a music theorist who studies the role of technological mediation in 20th- and 21st-century sonic practices, focusing on electroacoustic sound, timbre, microtonality, and experimental subgenres of popular music. Clark has given lectures in the UK, USA, Canada, France, Belgium, and Germany and has held fellowships from the Deutscher Akademischer Austausch Dienst (Germany), Social Sciences and Humanities Research Council (Canada), British Academy (UK), Arts and Humanities Research Council (UK), and the National Humanities Center in North Carolina. Elizabeth Keller-Tripp, Artistic Administrator, Laura Buch Her writings have been translated into several languages, and she herself is a translator (most recently, of Vladimir Jankélévitch’s La musique et l’ineffable). She spent a year at the Humboldt University as a visiting student in 1994–1995. Rehding is a music theorist with a focus on intellectual history and media theory. She has been elected Vice President of the American Musicological Society and will serve 2014-16. Her Making Music Modern: New York in the 1920s (Oxford) won the Lowens Book Award from the Society for American Music. Other research interests include historiography, composers in emigration, performance theory, and contemporary opera. In 2014 he was named the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University. Ethnomusicology ", She is currently working on a book, Quirks in Tonality: Aspects in the History of Tonal Space, which focuses on major issues in the history of tonal theory, such as changing conceptions of modulation, changing perceptions of key relations, constructions of diatonicism versus chromaticism, and even why theorists like to draw musical diagrams of what has come to be known as “tonal space.”. Other artists that he has collaborated with include David Soyer, Kim Kashkashian, Shai Wosner, Roger Tapping, and members of the Cleveland and Tokyo Quartets. While our program has an emphasis on Western music, students increasingly explore wide-ranging geographies and subjects. His writings have appeared in Journal of Consciousness Studies, Wire, Music Perception, JazzTimes, Journal of the Society for American Music, Critical Studies in Improvisation, and in the anthologies Arcana IV, Sound Unbound, Uptown Conversation, The Best Writing on Mathematics: 2010, and The Oxford Handbook of Critical Improvisation Studies. A main focus of Tutschku's work is improvisation with live-electronics, and he tours regularly with his Ensemble für Intuitive Musik Weimar. As a cellist, she performed with the Toronto Symphony Orchestra, the Calgary Philharmonic, the Canadian Opera Company, National Ballet of Canada, and participated in studio productions that included films and commercial work in Toronto. 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